Tunng

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Time flies when you’re being Tunng. Can it really be over two decades since the band’sgenre-blurring,self-styled‘pagan folktronica’first emerged from an east London studio courtesy of aclutchofGilles Peterson-endorsed singles on the small but perfectly formed Static Caravanimprint? It surely can, and what’s more, January 2025 will mark the twentieth anniversary ofThisis Tunng...Mother’s Daughter and Other Songs, adebut longplayer whose acousticguitars andpoetic disquisitions on nature, mythology and the human condition, courtesy of Sam Genders,sieved through fellow band founder Mike Lindsay’s lattice of fractured beats and cracklingelectronics,still sounds like an impiouslypostmodernwedding of the rustic and the synthetic,thearcaneand thefuturist–onefor whichthe designation‘pagan folktronica’is as good ashorthand as any

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